After the big welcome to all the guests and a rest, we
returned to the stage for the official dedication of the Jesus Film. By now it
was late afternoon and the bite had gone from the sun. That is not to say it
was cool, just hot and sweaty instead of meltingly hot and sweaty. This was a
good thing for me as by then I was in a costume.
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Being dressed in my new outfit (A.Evers) |
I had been told that I was the ‘mother of the feast’ and as
such I needed to be traditionally dressed. The chief’s wife had measured me the
day before to create a skirt and top for me and that afternoon she and her
husband came around to put them on me. They tied them over my clothes and then
trimmed the top to fit. This meant a pile of grass gathering around my feet as
the excess was cut off from the top. They also tied two festive shell bracelets
onto my wrists. Being dressed in this way, in traditional clothes put on me by
the chief and his wife, was a beautiful moment of adoption. In so many ways the
Kope tribe has taken me in, but in this moment I very much became their
daughter.
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The amazing bird of paradise head-dress (A.Evers)
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My costume was nothing though, in comparison to the chief
and his wife. Tompkin is paramount chief over upper Kope, an area of four villages.
Over his neat trousers and collared shirt he wore so many bands of shells that
he made gentle music as he walked. On his head was an impressive headdress of
feathers with a decorative band of shells. He certainly wore the most shells of
anyone on the day. His wife also had the most amazing headdress out of all the
women. Hers was topped with a rust coloured bird of paradise that her son in
law had caught for her. The beautiful feathers shone in the sun as she smiled
out from underneath it.
At the official dedication in the afternoon there was the
usual collection of speeches. Most people kept it short and to the point,
although there was at least one who took the moment to do some politicking.
Eventually there was the dedication prayer, the showing of the first few
minutes of the film and the promise of the full film once it was dark enough to
project onto a big screen (aka bed sheet). There was also a very special event
which I’ll write about next week before people dispersed to prepare their feast
food and return.
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The gathered crowd (A.Evers)
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As the evening grew dark, people started claiming their
places near the screen. We waited on the stage for our part in the feast and
the wait was well worth it. I am not the first Kope daughter from Adelaide. A
while ago a Kope man married an Adelaide woman and although they have separated
and he has returned to PNG, his children are all still in South Australia. Two
of them are cooks, and I don’t know if they learnt from their father or their
father learnt from then, but either way, this man knows how to cook! I’ve since
learnt that his two assistants for the day were people who have also worked in
a company camp kitchen and in hotel kitchens in Port Moresby. It’s amazing what
skills and histories are living quietly in the village. Between these three
men, we were served village gourmet food and everyone appreciated it.
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Setting up the projector (A.Evers)
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Food done and plates cleared (put in a bucket to take home
and wash later), it was time for the film showing. We were blessed with very
few technical hitches, as the sound system, generator, dodgy looking extension
cords and my projector that keeps resetting itself to Chinese all worked
together well. The crowd stretched back into the darkness, all eyes focussed on
the screen. Around me near the front were little children watching wide eyed.
My Kope is not yet good enough to follow the words, but the story is familiar
and I followed the images instead. Even then, I find this story that I have
known my whole life confronting to see illustrated in this way.
As the film finished there was silence as the crowd stayed
still and thoughtful. Someone prayed and dismissed everyone, but even as they
walked away, the thoughtfulness remained.
I returned to my house with the last few visitors who had
made it to the end of the film. As they had all had an early start and did not
understand the language, many of them had quietly gone to bed once they had
seen the crowd transfixed by the film. I wove my way among the mosquito nets
and sleeping bodies filling my veranda and living area until I found my way to
the sanctuary of my own mosquito net and mattress. Untangling myself from a
grass skirt and top, I fell into bed exhausted and happy.
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